Wednesday, May 6, 2020

Citizen Kane Mise En Scene Analysis - 983 Words

Citizen Kane is a movie starring Orson Welles that is loosely based on the life of William Randolph Hearst and the media empire that he built in the late 1800s and the early 1900s. Mise en Scene is possibly the most important chapter that we have covered that pertains to Citizen Kane and shows numerous examples of it throughout the film to reinforce loss as a recurring theme. Citizen Kane’s non verbal strength is made evident through the use of not only intrinsic interest but through the use of isolated figure versus clustered and off-screen information as well. Perhaps one of the most important segments not mentioned in our scene summary notes that encapsulates Mise en Scene is when Charles Foster Kane is giving his speech when he’s†¦show more content†¦The use of intrinsic interest was effective in this film due to the fact that Kane was a guarded and somewhat secretive man when it came to his personal life and the background information given through th ese shots was helpful when trying to understand the deeper meaning of his actions. It also helps to show the parallels between the fabricated narrative of Charles Foster Kane’s life and the real life of William Randolph Hearst. In the film the use of isolated figure versus clustered is very obvious. It is used throughout the film to show the social isolation of Kane as his success grows in moments when he decides to put aside personal relationships in favor of financial growth and notoriety. Kane tends to appear stronger and more in control in moments when he’s by himself then in moments when he is surrounded or affiliated with others who the film portrays as individuals or groups who â€Å"weaken† him; this results in the film often showing Kane in moments of anguish amidst being successful because he feels misunderstood, isolated and detached from those that were once closest to him. However eventually his isolation catches up with him as we see in the beg inning of the film when we are shown the no trespassing signs and fences before his death; subsequently showing that his isolation has eliminated everyone that would’ve mourned him. Other examples of this are how he periodically moved fromShow MoreRelatedAnalysis Of The Film Citizen Kane By Orson Wells1303 Words   |  6 Pagesthe film ‘Citizen Kane’, directed by Orson Wells (1941) for this assignment. The technical aspects I have chosen to explore will be the use of both mise-en-scene and editing. Synopsis The clip I have selected from Citizen Kane is a montage scene that shows the protagonist Charles Foster Kane eating breakfast with his wife Emily. The scene is presented in the form of a narrative exposition from the mind of Jedediiah Leland, who is the ex business partner of Kane. The entirety of the scene is comprisedRead MoreOrson And Citizen Kane, Touch Of Evil, And Othello, Make Him A Great Auteur? Essay2317 Words   |  10 PagesElie Rahbani 201300566 History of film paper: Topic: Orson welles Question: How do the formalistic and ideological patterns found in Orson Welles’s movies; Citizen Kane, Touch of Evil, and Othello, make him a great auteur? Outline: †¢ 1. Orson Welles (Biography and 3 films) †¢ 2. Formalistic patterns: âž ¢ Mise en Scene in each film âž ¢ Editing in each film †¢ 3. Ideological patterns (in each film) †¢ 4. Orson Welles as an Auteur 1. Orson Welles: Biography: Orson Welles was born on the 6th of MayRead MoreHistorical Analysis of the Movie, Citizen Kane Essay1699 Words   |  7 Pages Historical Analysis, Citizen Kane: Camera Movement Citizen Kane, directed by Orson Welles, was an exemplary and ground-breaking work. In narrative structure and film style, Welles challenged classical Hollywood conventions and opened a path for experimentation in the later 1940s. Gregg Toland’s deep-focus cinematography and Welles’ use of low-key lighting are often discussed aspects of the movie. True, these were areas of innovation, but when watching the movie in class I was particularlyRead MoreCitizen Kane : Character Analysis : Citizen Kane1337 Words   |  6 PagesCharacter Analysis: Kane Citizen Kane one of the consistently top ranked films of all time, A film that would change the course and style of film from that point on Its ability to direct the audience’s attention with its many remarkable and breath-taking scenes. It employed many new cinematic and innovative techniques that apply to lighting, sound mixing and editing that been emulated ever since. The character that we see take the greatest advantages of these new techniques is Charles Foster Kane, utilizingRead MoreFilm Analysis : The Power Of Vertigo1774 Words   |  8 PagesFilm Analysis 1: The Power of Vertigo I remember watching Vertigo for the first time back when I was still very young, but at the time, I didn t really understand anything about the movie. As I watched it again as I grew older, I learned to appreciate how great this movie really is and the special narrative style that the movie presented. Vertigo, to me, was always known as Alfred Hitchcock s best film. Most of Hitchcock’s well-known films like Psycho or North by Northwest have unique title sequencesRead MoreEssay on Music in Scorsese films2910 Words   |  12 Pagessong so that certain points of the music or the vocals will be hitting between certain lines of dialogue. Those lyrics are also commenting on the dialogue† So here we see how Scorsese chooses to use Lyrics that suggest more about the action in the scene, on an almost subconscious level with the audience. This use of editing and fine tuning lyric placement goes to show that it’s far more than just choosing songs for Scorsese. An example of the use of lyrics to construct a feeling is noted later onRead MoreThe Independence Of Meta Cinema And Authorship4881 Words   |  20 Pagesfurther aims to cultivate cinematic literacy among the audience (Valck and Hagener, 1999). Thus, auteurist concerns can be summarised as appealing to the articulation and reception of filmmakers? self-reflexivity. David Bordwe ll has indicated in his analysis on European art cinema that the stress of authorship covers the distinct style of art cinema practices (Bordwell, 1979). In his essay, representative art films are introduced as models conveying authorial marks, among which are Day for Night (LaRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 PagesPhenomenology of the Narrative, 16 II Problems of Film Semiotics Chapter 3. Chapter 4. Chapter 5. The Cinema: Language or Language System? 31 Some Points in the Semiotics of the Cinema, 92 Problems of Denotation in the Fiction Film, 108 III Syntagmatic Analysis of the Image Track Chapter 6. Outline of the Autonomous Segments in Jacques Rozier s film Adieu Philippine, 149 Chapter 7. Syntagmatic Study of Jacques Rozier s Film Adieu Philippine, 177 vii viii CONTENTS IV The Modern Cinema: Some Theoretical

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.